I can remember a lot of nights performing in those early years where you felt that you hit some good moments, but a lot of the time you're thinking, "Oh, God, this isn't quite making it." So I think that is what makes you in the end refine your view of things a little bit.

Usually, in the studio, on this sort of thing... you just go out and have a play over it, and see what comes, and it's usually - mostly - the first take that's the best one, and you find yourself repeating yourself thereafter.

I don't even think whether I play the blues or not, I just play whatever feels right at the moment.

My technique is laughable at times. I have developed a style of my own, I suppose, which creeps around. I don't have to have too much technique for it. I've developed the parts of my technique that are useful to me. I'll never be a very fast guitar player. I don't really know what to say about my style. There's always a melodic intent in there.

I'm English and I am British. I don't know if I feel part of a music scene. Musically, I have as many feelings and affinity with Americans or Canadians, or all sorts of people as I do with English people.

Personally, I'm not very keen on the visualization of absolutely everything.

Everyone goes to rotten schools when they're kids, don't they?