The hardest thing about doing a series and having it stick is that you've never performed with each other, and the pilot is kind of a dress rehearsal, and you don't know the tone until two or three episodes in.

Honestly, I grew up with Disney.

Heading the show very thrilling personally, and an incredibly rare opportunity for growth on many levels in terms of workload and just pure skill. It's been fantastic.

I'm carrying a gun, and there's usually a corpse, so I think that may have something to do with it.

The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.

The workload is so heavy you forget about thinking, it just kind of happens.

There's a lot of great stuff on TV.