It's been an obsession of various genres, disciplines, and aspects and elements of movie-making. It's always been something that I've really aspired to, so doing something new and different, reinventing myself and working with new people is just the passport to the amazing world that is the movies.

A lot of my best friends are the best person for the job in a film, but sometimes being a filmmaker I'll give a buddy a chance to prove himself. Other times I want to go with a tried-and-true person. It can absolutely cause problems.

Fortunately, working with Universal was just a real opportunity of a supportive entity, who not only financially backed and distributed the movie, but creatively collaborated with us, and gave us ideas and creative ways to make a movie that was budgetarily responsible.

When you say "Holy Man", I immediately think of Eddie Murphy's finest hour. If it's anything comparable, I'm excited.

One of the things I wanted to do after three, prolonged movies is to do something that was really, kind-of knee-jerk decisions, and artistic instincts and strip down the process to more of a guttural level, and make something that wasn't so manicured and polished; wasn't quite so developed and supported, and just run wild with it and see what happens with it.

When you see somebody actually be able to channel that into an accessible, beautiful tool, you start to see the craftsman behind it.

I always cast people with a sense of humor because people that are super serious don't understand when I ask them to eat a booger it's not necessarily about that. It's about something more. It's about inviting a little bit of absurdity into the process and humanity into the process. Making sure that no matter who we are and what sort of pedestal or glamorous lighting we're under, we're all eating boogers man.