I think American Werewolf in London is the greatest werewolf movie of all time.

You can argue that the Terminator movies reboot their world each time they go back in time, but that doesn't negate the value of Terminator 1 and 2. So I don't really feel that way.

On the lower budget pictures, you go overtime more, you're sort of scrambling for the shots and cobbling together more ideas at the end.

If you can get an audience to identify themselves with a character, they will subconsciously feel that their own lives are in danger. People tend to pay attention in situations like that. I think fear is the easiest, and most visceral, emotion to activate in an audience.

The most challenging work is producing. The physical act of getting a production up and running is extremely taxing, and you never have any guarantee that your years of work on any given project will ever bear fruit.

I was beating Amanda Lim to death with the tire iron, I accidently hit her in the finger. It was a fake tire iron, but it was run through with metal in the middle and when she looked up after the take, she was crying and it really hurt her and so I felt pretty terrible about that, but they got back at me when I had my big fight with Casey at the end and she just beat the bejesus out of me, being the amazing stuntwoman that she is.

Number one rule in Hollywood is to maintain relationships with successful people, and you may find yourself involved in some very cool projects.