If you can get an audience to identify themselves with a character, they will subconsciously feel that their own lives are in danger. People tend to pay attention in situations like that. I think fear is the easiest, and most visceral, emotion to activate in an audience.

Now it's been fifteen years, nine games, and an enormous blast to undertake. If it were my choice, I would do this role forever. To hear anyone else's voice coming from Snake's battered throat, makes me a little ill, to be honest.

To turn a human being into a part-canine or lupine creature takes a good deal of artistry and money.

Movies are designed to tell us stories, engage us on an emotional level and keep our attention. This can be done with a wide range of emotional triggers - Love, adrenaline, comedy. But fear is a highly potent sensation.

Now that I'm a professional writer it's a little more difficult to enjoy a movie if it's not well done and a lot of the horror movies are not great, but when something's really good, like I really loved The Conjuring. That just scared the bejesus out of me.

Comic books, if you're adapting a comic book - like X-Men, for example - you've got 40 years of amazing stories to dig into, things that incredible artists have been thinking about for decades.

I think American Werewolf in London is the greatest werewolf movie of all time.