I'm interested in making films of all sizes. During this time I've made a film called 'The Boy in the Striped Pajamas', which is a modest-sized film. I was involved in 'I Am Legend' and 'Yes, Man', but 'Potter' is unique. There'll never be anything like 'Potter' again.

I got a few things, because I think the props are so beautiful as much as anything else. The detail of the work is something that one has no idea of.

I'm interested in making films of all sizes. During this time I've made a film called 'The Boy in the Striped Pajamas', which is a modest-sized film. I was involved in 'I Am Legend' and 'Yes, Man', but 'Potter' is unique. There'll never be anything like 'Potter' again.

In some ways, many of the skills you have as a producer on independent films also apply to making big tentpole films: You surround yourself with a brilliant director, great script and talented people in every department who are smarter than you.

A lot of things change and a lot of things stay the same, they mostly stay the same.

The films you're making have to be faithful to the material.

The most important thing is that you have to have the visual effects working for you, instead of you working for the visual effects.