The thing with high-tech is that you always end up using scissors.

Always live in the ugliest house on the street - then you don't have to look at it.

I avoid the public because the English public is too aggressive these days for me.

I can often tell when drawings are done from photographs, because you can tell what they miss out, what the camera misses out: usually weight and volume - there's a flatness to them.

Photography hankers after the condition of the neutral observer. But there can be no such things as a neutral observer. For something to be seen, it must be looked at by somebody, and any true and real depiction must be an account of the experience of that looking.

I mean if you draw you like drawing, it's er, an activity you do all the time actually.

Picasso is still influencing me. Of course, I haven't got that kind of energy, or skill.