The high-definition picture is still a perspective picture. That's the real problem, the perspective picture.

It's no good saying I wished I could go out more, because I can't. But I don't bother about it too much.

And then I went round the corner and there's a Van Gogh portrait, and you just think, well, this is another level. A higher level, actually. I love the Sargent, but it's not the level of Van Gogh.

When you stop doing something, it doesn't mean you are rejecting the previous work. That's the mistake; it's not rejecting it, it's saying, 'I have exploited it enough now and I wish to take a look at another corner.'

I draw flowers every day and send them to my friends so they get fresh blooms every morning.

I've always said that the only thing a photograph is good at capturing faithfully is another flat surface.

Nature, never, never let's you down, it's not a cliché, nature isn't a cliché, pictures might be, but you can get tired of pictures.