I can see that cinema seems to be finished. Everybody has a bigger screen at home. I'm assuming eventually you won't need a screen at all - these iPhones will just project.

Time is the great mystery anyway. And it's still the great mystery in the moving picture as well.

Anyway I feel myself a bit on the edge on the art world, but I don't mind, I'm just pursuing my work in a very excited way. And there isn't really a mainstream anymore, is there?

I never work with music. I hate background music, always did. I only like music in the foreground, meaning, deliberately listen to it, actually.

I can often tell when drawings are done from photographs, because you can tell what they miss out, what the camera misses out: usually weight and volume - there's a flatness to them.

I'm always excited by the unlikely, never by ordinary things.

I was 18 when I first visited London, I'm very provincial like that, but I must confess the moment I got to America I thought: This is the place. It was more open, with 24-hour cities and pubs and restaurants that didn't close.