All film directors, even the ones using 3-D today, want you to look at what they chose.

I'm a bit claustrophobic, I know that now.

The problem is, photographic dyes and printing inks aren't as good as paint, actually.

It takes a long time to make it simple.

Photography hankers after the condition of the neutral observer. But there can be no such things as a neutral observer. For something to be seen, it must be looked at by somebody, and any true and real depiction must be an account of the experience of that looking.

I want life thrilling and rich. And it is. I make sure it is.

But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't.