..all arguments concerning existence are founded on the relation of cause and effect; that our knowledge of that relation is derived entirely from experience; and all our experimental conclusions proceed upon the supposition that the future will be conformable to the past. .... Without the influence of custom, we should be entirely ignorant of every matter of fact beyond what is immediately present to the memory and senses.

When the coherence of the parts of a stone, or even that composition of parts which renders it extended; when these familiar objects, I say, are so inexplicable, and contain circumstances so repugnant and contradictory; with what assurance can we decide concerning the origin of worlds, or trace their history from eternity to eternity?

I do not think a philosopher who would apply himself so earnestly to the explaining the ultimate principles of the soul, would show himself a great master in the very science of human nature, which he pretends to explain, or very knowing in what is naturally satisfactory to the mind of man.

It is a great mortification to the vanity of man, that his utmost art and industry can never equal the meanest of nature's productions, either for beauty or value. Art is only the under-workman, and is employed to give a few strokes of embellishment to those pieces, which come from the hand of the master.

Character is the result of a system of stereotyped principals.

There is a set of harmless liars, frequently to be met with in company, who deal much in the marvellous. Their usual intention is to please and entertain; but as men are most delighted with what they conceive to be the truth, these people mistake the means of pleasing, and incur universal blame.

A man posing for a painting.