The more tremendous the divinity is represented, the more tame and submissive do men become his ministers: And the more unaccountable the measures of acceptance required by him, the more necessary does it become to abandon our natural reason, and yield to their ghostly guidance and direction.

Every movement of the theater by a skilful poet is communicated, as it were, by magic, to the spectators; who weep, tremble, resent, rejoice, and are inflamed with all the variety of passions which actuate the several personages of the drama.

A miracle is a violation of the laws of nature; and as a firm and unalterable experience has established these laws, the proof against a miracle, from the very nature of the fact, is as entire as any argument from experience can possibly be imagined.

Reason is, and ought only to be the slave of the passions.

Battles, revolutions, pestilence, famine, and death, are never the effect of those natural causes, which we experience. Prodigies,omens, oracles, judgments, quite obscure the few natural events, that are intermingled with them. But as the former grow thinner every pagewe soon learn, that there is nothing mysterious or supernatural in the case, but that all proceeds from the usual propensity of mankind towards the marvellous, and that, though this inclination may at intervals receive a check from sense and learning, it can never be thoroughly extirpated.

If we take in our hand any volume; of divinity or school metaphysics, for instance; let us ask, Does it contain any abstract reasoning concerning quantity or number? No. Does it contain any experimental reasoning concerning matter of fact and existence? No. Commit it then to the flames: for it can contain nothing but sophistry and illusion.

The mention of one apartment in a building naturally introduces an enquiry or discourse concerning the others: and if we think ofa wound, we can scarcely forbear reflecting on the pain which follows it.