Learning to write for the theatre is learning to be a human being, because the theatre by its very nature makes you deal with other human beings.

Lists are anti-democratic, discriminatory, elitist, and sometimes the print is too small.

With my plays, when the lights go down, at least the audience isn't thinking, 'Oh, God, two more hours of this.

Plays are always about intense relationships, whether they're intense love relationships or family relationships or existential relationships.

Ultimately one has to pity these poor souls who know every secret about writing, directing, designing, producing, and acting but are stuck in those miserable day jobs writing reviews. Will somebody help them, please?

Writing a play, you start with less, so more is demanded of you. It's as if you have to not only write a symphony, but invent the instruments as well.

Necessarily, I'm always involved in casting, as any playwright is, because the whole process of putting on a play is a collaborative, organic effort on the part of a bunch of people trying to think alike.