In this case, I don't know why they [Seth Rogen and Evan Goldberg] thought I would be a good lavash wrap or I would do a good Middle Eastern accent. They just assumed I would. They called one day, and they're like, "They're doing this read-through for Sausage Party, and you're going to play a lavash wrap in it." After I looked up what a lavash wrap was, I was like, "Oh, cool."

It was easy and fun [filming in Hail, Caesar!], and I think it's easy to be intimidated by the Coen brothers, because they're quiet. They don't heap praise, especially upon themselves. It's not like they're walking around thinking they're the greatest thing on Earth.

I think we all feel lucky, or at least I feel lucky, to get to be in their [Seth Rogen and Evan Goldberg] movies, and I'm not going to lie, I've nudged them.

Halfway through Numbers, I got really jaded, and I had these unrealistic expectations about what Numbers could be. I thought it should be Emmy-nominated. I was in my mid-20s, so I was kind of shortsighted and silly.

To go to L.A. and be on the Addams Family set? It was beautiful production design and an illustrious set. I'm focused on never losing that sense of privilege. I'm still like, "I'm super lucky."

I came away from that set [ Hail, Caesar !] super inspired, and like I said, it ruined all future endeavors. I'll never have as good an experience as that.

Someone is spending their life and their passion and their ingenuity on something that's seemingly potentially trite. But it's what they're doing, and it's what's important to them and what's beautiful to them.