Someone is spending their life and their passion and their ingenuity on something that's seemingly potentially trite. But it's what they're doing, and it's what's important to them and what's beautiful to them.

It's really cool to know that you've put something together that isn't for a particular audience. It's so often that a TV show can really only speak to one sect of the population, and this really is something that appeals to a worldwide fan base. People who are into the pursuit of knowledge. Their reaction has meant the world to us.

Hail, Caesar! is about, in my opinion - I love that movie - but I think it's about the idea that as glamorous as the business is, and for as much hoopla that surrounds moviemaking, ultimately it's just a job. If you focus on it, you can do it really well, and it takes a lot of hard work.

I have actively called them [Seth Rogen and Evan Goldberg], and been like, "Will you put me in your next movie?"

I would do prosthetics again, but not on a schedule like that [in Gigi Does It]. It was grueling and brutal and it almost killed me. That show almost killed me.

I tried one [lavash], just because, I was like, "I should know what it is," once I got the part. And it's all right. It's like if a matzo and a flour tortilla had sex and had a baby. It's a dry flour tortilla.

I hope I'm not sitting on a bench in a retirement home talking about what was: "Oh, I worked with this guy and that guy." I hope I'm still doing it for a really long time.