Someone is spending their life and their passion and their ingenuity on something that's seemingly potentially trite. But it's what they're doing, and it's what's important to them and what's beautiful to them.

It was just like, "What am I going to do today, in L.A., as an actor? Well, I guess I could go to Seth's [Rogen] apartment and smoke weed and hang out." And that's all we'd do. We'd smoke weed, hang out, play video games, and talk.

There's going to be a Halloween costume [of lavash from Sausage Party]. The whole thing is just so ridiculous. It's nice. It's silly, and it's surreal.

Me, I look in the mirror and all I see is this Jewish kid from Queens.

It was a frying-pan-to-the-face moment for me where I had to get humble and really cherish it. I was really sad when [Numbers] was over. I'll just say that. Really sad.

Ultimately, I think the movie's about working as a means of finding meaning in your life. It's about the lesson, the great lesson, of just working, working and being productive.

After the writers' strike, I came back with my tail between my legs and apologized to everyone. I had been telling them I was going to leave, and I said, "I'm never going to leave," and that I'd stay with them as long as I can. And I really enjoyed the last two and a half seasons of Numbers more than before.