We [me and Seth Rogen] have always wanted to work together. That was the whole point. We talked about it actively, and then we finally got the opportunity to do that, over and over again. It's kind of a dream come true.

[Amy Sedaris] probably can't sit still, that type of thing. She's a force to be reckoned with.

The rest - all the hoopla, the acclaim - doesn't really matter a lot to Joel and Ethan [Coen]. They just want to get the chance to continue to work. And that blew my mind. To be at that level and to have that humility, it was eye-opening and inspiring.

I had no idea I was hot. I was just like, "Oh, this is normal. You make two movies a year. This is easy." And of course, I have since learned that acting has its periods of unemployment, and ups and downs. The first five years were really good to me.

First of all, it was wonderful to have a home. Consistent work when you're a journeyman actor, when you're a character actor, is really hard to come by. When you can get it, you have to cherish every moment of it - cherish the crew, cherish the cast, cherish the stage, cherish everything. Because when it's over, it's really hard to get back.

What's great is that because math is such a universal language, really, our fans come in all shapes and sizes, all ages and genders and races and backgrounds and cultures.

The freedom of knowing that you're doing something off-kilter is liberating.