The Josh Brolin character in that movie [Hail, Caesar!], he's given a choice to leave, to do something where he wouldn't have to work as hard. And he'd rather work and deal with the madness of what he's doing because it thrills him, because it gives him meaning.

We had very, very, very little money to make the show [ Gigi Does It]. We shot every episode in two days. It was non-WGA, non-DGA, so we couldn't write anything. The whole thing had to be improv.

It's really cool to know that you've put something together that isn't for a particular audience. It's so often that a TV show can really only speak to one sect of the population, and this really is something that appeals to a worldwide fan base. People who are into the pursuit of knowledge. Their reaction has meant the world to us.

In this case, I don't know why they [Seth Rogen and Evan Goldberg] thought I would be a good lavash wrap or I would do a good Middle Eastern accent. They just assumed I would. They called one day, and they're like, "They're doing this read-through for Sausage Party, and you're going to play a lavash wrap in it." After I looked up what a lavash wrap was, I was like, "Oh, cool."

I got scared away from the whole writing and producing thing, because of how really, truly difficult this was.

Someone is spending their life and their passion and their ingenuity on something that's seemingly potentially trite. But it's what they're doing, and it's what's important to them and what's beautiful to them.

It was a frying-pan-to-the-face moment for me where I had to get humble and really cherish it. I was really sad when [Numbers] was over. I'll just say that. Really sad.