I hope I'm not sitting on a bench in a retirement home talking about what was: "Oh, I worked with this guy and that guy." I hope I'm still doing it for a really long time.

It's strange, because Long Island is still New York, but the farther you go out on Long Island, the more creepy it gets.

[Amy Sedaris] is awesome to work with. She's an amazing person. She makes her own line of catnip toys, and she gave me a bunch for my cat. It meant the world to me. She also got me stuff for my daughter, but I was more enamored with what she gave me for my cat.

It's really cool to know that you've put something together that isn't for a particular audience. It's so often that a TV show can really only speak to one sect of the population, and this really is something that appeals to a worldwide fan base. People who are into the pursuit of knowledge. Their reaction has meant the world to us.

It was a frying-pan-to-the-face moment for me where I had to get humble and really cherish it. I was really sad when [Numbers] was over. I'll just say that. Really sad.

I've been with that project [ Sausage Party] since its inception, since they wrote the script. It took them four years to get anyone to make the movie, because it was so filthy and there was this firm belief that there wouldn't be a market for an adult animated film, even though 10 or 15 years prior, South Park [Bigger, Longer, And Uncut] did really well.

We had very, very, very little money to make the show [ Gigi Does It]. We shot every episode in two days. It was non-WGA, non-DGA, so we couldn't write anything. The whole thing had to be improv.