Every culture has beauty and decorations of body. This is not of itself superficial, this is very human. Decorating when it becomes out of balance, when it becomes about the materialism, about how many shoes, how many handbags, how expensive they are, and the status, then it's no longer just about an expression or looking beautiful, that's more about 'I HAVE MONEY, I AM RICH'. It felt out of balance.

I like thinking about the fragility of the human flesh and our bodies - our decay and eventual death.

I didn’t see any difference between being a photographer or being an artist. I didn’t make those boundaries. If someone wants to think it’s art, that’s great, but I’ll let history decide.

People will get tired of overly retouched images soon and they'll want something different. If people have too much reality, they want fantasy. What matters most is what the image communicates. I remember the first roll of film I shot at high school, the contact sheet went from these really worthy images of cracks in the wall and ended up with all of my dancer friends naked in Renaissance poses.

The industrial revolution fueled all of humanity, everything we do has been exploding ever since. It's been the biggest most impacting thing, not only for human beings in the last 250 million years, but also the planet, which caused the ice age, which buried the forest. It's this circle because of the industrial revolution, it's neither good or bad, it enabled all of modernization, extended our life, it changed everything. It's the most impactful thing that happened to the planet and the people.

I have always gone to nature, since I was a kid. I was brought up in the woods, I did not have lots of friends, so I spent lot of time alone. My mother always loved to live in the forest; she loved gardens, birds and nature and taught me a deep respect for that. She taught me about growing food and vegetables and to take care of animals. They also have feelings. So nature was always something sacred for me, the place I can go, meditate and pray. It's like a church in the nature for me.

I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...