We're bombarded with images. Take the time to stop and look at something then connect with them and maybe they're thinking the same thing, I used a lot of devices to catch the eye of people who have seen a lot of stuff, having worked in advertising and in editorial. I have learned to get someone to stop and look at something, that language.

I have this idea that you can use glamour and still have it represent something that matters.

I like the Eiffel Tower in Las Vegas more than the actual one.

I think we're in a post-pornographic time and nothing seems shocking, but everything remains carnal no matter what you do.

As an artist you have a choice. You can add more confusion and darkness to the world or you can shine a light, make a beauty.

My idea was that if I took a picture of somebody and years later, or whenever, they would die and if someone wanted to know who this person was, they could take one of these pictures and it would tell who the person was.

You work with people who are obsessive about shopping, obsessive about owning things and buying things, like this purchase is going to make them happy. And you want to say to them, You know, no amount of real estate is gonna fill that void.