I believe Michael [Jackson] in a sense is an American martyr. Martyrs are persecuted and Michael was persecuted. Michael was innocent and martyrs are innocent. If you go on YouTube and watch interviews with Michael, you don't see a crack in the facade. There's this purity and this innocence that continued [throughout his life].

The key is to photograph your obsessions, whether that’s old people’s hands or skyscrapers. Think of a blank canvas, because that’s what you’ve got, and then think about what you want to see. Not anyone else.

Then I got this idea in my head that magazines were like a gallery and if you got your magazine page ripped out and someone stuck it on their refrigerator, then that was a museum – someone’s private museum.

It's much harder to work for yourself, by yourself, than to create work for a gallery, because there are no limits and you can do anything you want. It's always easier when you have a parameter, when you have a limit. You can work within the limit and push it and walk the line, but when you're given absolutely no limits, it's harder. You must really think. It's more challenging.

I love fashion and beauty and all those things, I still do but I think that it has changed the shift, that the greed is ruling the planet right now.

I like the Eiffel Tower in Las Vegas more than the actual one.

You can't change people's minds, we are not God. We can do our best to do what we do, whatever job we have to bring sort of goodness out there. But we can't change people. As an artist what I can do is to communicate!