In Sliding Doors, the whole idea is that every choice you make, and every single thing that happens to you changes the trajectory of your life, and once you are put on that trajectory, there is no way back. But Groundhog Day - which, I tell him, also happens to be a much better movie - says the opposite. It says if you mess up or make the wrong choice, you just have to keep at it until you do it right.

I have no idea how he knows when I need him. We can go weeks without speaking, and then, when my blue moods threaten to turn black, he will show up and tell me my moods are azure indigo cerulean cobalt periwinkle and suddenly the blue will not seem so dark, more like the color of a noon-bright sky. He brings the sun.

I had a sense then of how if we truly understood how many of the unimportant things we do will end up outliving us, we'd never be able to go on.

You existed. You existed now as a fractal. Definition: A fractal is generally a rough or fragmented geometric shape that can be broken into parts, each of which is (at least approximately) a reduced-size copy of the whole. Maybe I was a fractal. Maybe the photographer was a fractal. Maybe we were all fractals.

People read vampire novels and say, Oh I want to read another vampire novel. People read fantasy, and theyre like, Oh I love fantasy. I dont know that people are necessarily finishing Hunger Games and immediately wanting to read another dystopian tale.

It doesn't have to be on Valentine's Day. It doesn't have to be by the time you turn eighteen or thirty-three or fifty-nine. It doesn't have to conform to whatever is usual. It doesn't have to be kismet at once, or rhapsody by the third date. It just has to be. In time. In place. In spirit. It just has to be.

I am so used to hints and mixed messages, saying things that might mean what they sort of sound like they mean. Games and contests, roles and rituals, talking in twelve languages at once so the true words won't be so obvious. I am not used to a plainspoken, honest truth.