With studio work, I'm always the bottom man on the totem pole.

I didn't go into 'Rabbit Hole' wanting to write about class. I think because of who I am it somehow found its way into it.

I'm going to do whatever interests me. Look, writing 'Rabbit Hole' came out of an interest in diversifying my portfolio, frankly.

From a young age, I was rubbing elbows with a very different kind of person and social class, and I felt a lot of tension and conflict in my identity because of that.

Only assholes write plays about Nazis.

We have this myth that if you work hard, you can accomplish anything. It's not a very American thing to say, but I don't think that's true. It's true for a lot of people, but you need other things to succeed. You need luck, you need opportunity, and you need the life skills to recognize what an opportunity is.

My plays tend to be peopled with outsiders in search of clarity.