I learned that just beneath the surface there's another world, and still different worlds as you dig deeper. I knew it as a kid, but I couldn't find the proof. It was just a kind of feeling. There is goodness in blue skies and flowers, but another force - a wild pain and decay - also accompanies everything.

When you get an idea, so many things come in that one moment. You could write the sound of that idea, or the sound of the room it's in. You could write the clothes the character is wearing, what they're saying, how they move, what they look like. Instead of making up, you're actually catching an idea, for a story, characters, place, and mood - all the stuff that comes. When you put a sound to something and it's wrong, it's so obvious. When it's right, the whole is greater than the sum of the parts. That's a magical thing that can happen in cinema.

Films are 50 percent visual and 50 percent sound. Sometimes sound even overplays the visual.

I'm not a political person. I don't understand politics, I don't understand the concept of two sides and I think that probably there's good on both sides, bad on both sides, and there's a middle ground, but it never seems to come to the middle ground and it's very frustrating watching it and seemingly we're not moving forward.

Everyone's got consciousness.. . Grow that ball of consciousness and all avenues of life improve. Your work just blossoms.

Every teacher of Transcendental Meditation is a hero.

Some people grew up in the '70s, powerful, beautiful memories of the '70s which to me is one of the worst decades. It has something to do with that. Has something to with the birth of rock 'n' roll, and something to do with those American cars. an incredible design. There was so much optimism at that time and it must leak into the process.