To make the script, you need ideas, and for me a lot of times, a final script is made up of many fragments of ideas that came at different times.

I truly believe there is a field of peace within and that it can be enlivened and brought to the surface to be enjoyed by all.

I like people who, you know, as you go along in life, you know, a thing happens, and people become a seeker. They look for something to give them the path to their full potential. I like them to know about transcendental mediation, but they've got to make up their own mind to take it and use it.

I supported myself by delivering the 'Wall Street Journal' and doing odd jobs. I love plumbing and carpentry.

In a Town like Twin Peaks noone is innocent

Stories have tangents; they open up and become different things. You can still have a structure, but you should leave room to dream. If you stay true to your ideas, filmmaking becomes an inside-out, honest kind of process. And if it's an honest thing for you, there's a chance that people will feel that, even if it's abstract.

In my mind it's so much fun to have something that has clues and is mysterious - something that is understood intuitively rather than just being spoon-fed to you. That's the beauty of cinema, and it's hardly ever even tried. These days, most films are pretty easily understood, and so people's minds stop working.