I didn't know anything about film when I first started - I was a painter - but I [always] felt that sound was just as important as the picture. The sound, picture, and ideas have to marry. If an idea carries with it a mood, sound is critical to making that mood.

Absurdity is what I like most in life, and there's humor in struggling in ignorance. If you saw a man repeatedly running into a wall until he was a bloody pulp, after a while it would make you laugh because it becomes absurd.

Francis Bacon is one of my giant inspirations. I just love him to pieces.

Films are 50 percent visual and 50 percent sound. Sometimes sound even overplays the visual.

Consciousness-Based Education is just plugging us all into the beautiful, eternal field within, and then watching things get better, which is what happens. It's a field of infinite, unbounded peace within every human being, and when you experience it, you enliven that peace.

I would rather not make a film than make one where I don't have final cut.

Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it. I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain.