In my mind it's so much fun to have something that has clues and is mysterious - something that is understood intuitively rather than just being spoon-fed to you. That's the beauty of cinema, and it's hardly ever even tried. These days, most films are pretty easily understood, and so people's minds stop working.

As collective consciousness goes higher and higher, all the differences in the world will be appreciated more and more. A definition of peace is unity in the midst of diversity. Or you could say happiness, love, and peace in the midst of all diversity. All the differences would be appreciated fully in the light of this peace.

Humor is very interesting to me. My films are not comedies, but there's comedy in them from time to time, absurdities, just like in real life.

You need contrast and conflict in order to tell a story. Stories need to have dark and light, turmoil, all those things. But that does not mean the filmmaker has to suffer in order to show the suffering. Stories should have the suffering, not the people.

Because you make a world that didn't exist before, and you can go into that world deeper and deeper. It's unbounded out there. One film takes you into one area, another film takes you into another area. There could be trillions, zillions of worlds that exist in the big space.

Surface cures are not going to get rid of the torment that's inside.

I'm not comfortable with words. I love images ,and I love sounds, and I love feelings. I like the idea of intuition. I think a lot of things in life are understood that way. But you internalize these things; they don't really pop out. Certain things are built inside - little areas of understanding. I feel that I live in darkness and confusion, and I'm trying, like we all are, to make some sort of sense of it.