Somewhere in talking and rehearsing, there is a magical moment where actors catch a current, they're on the right road. If they really catch it, then whatever they do from then on is correct and it all comes out of them from that point on.

I'm not a real film buff. Unfortunately, I don't have time. I just don't go. And I become very nervous when I go to a film because I worry so much about the director and it is hard for me to digest my popcorn.

I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think.

Films are 50 percent visual and 50 percent sound. Sometimes sound even overplays the visual.

Through the darkness of future past, the magician longs to see, one chance out between two worlds, fire walk with me!

I've always loved the electric guitar: to hold it and work it and hear what it does is unreal.

Some things we forget. But many things we remember on the mental screen, which is the biggest screen of all.