Making a film is a beautiful mystery. You go deep into the wood, and you don't want to come out of that wood.

You need contrast and conflict in order to tell a story. Stories need to have dark and light, turmoil, all those things. But that does not mean the filmmaker has to suffer in order to show the suffering. Stories should have the suffering, not the people.

I'm not any different than anybody else. But I do see a world, for me, that's getting better and better, not worse and worse. And I believe that world peace is coming quicker than we think. And I believe that people are not only yearning for it but will see a way to get it and help that way to come sooner. And it's going to be beautiful.

The cinema is really built for the big screen and big sound, so that a person can go into another world and have an experience.

Mystery is the number one conjurer of ideas.

If a scene isn't honest, it stands out like a sore thumb.

Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.