What I loved about it was language-wise it wasn't that finely-tuned-perfect-insult-for-the-perfect-situation that sometimes we try and do on Veep.

There's a grand tradition of a lot of interesting stuff that happens to these post-presidents. Especially in this day and age where you leave office in your 50s and you can live another 40 years, easily. That's a lot of time.

I think it's a fun thing, and perhaps maybe very so slightly as an American, it's a slightly different thing that they didn't do as much of when the show was 100 percent written by Brits just because I'm not sure they were quite as familiar with some of these little moments in our government system.

I think that's part of being a comedy writer. You have to be confident. If you're sitting around worrying about, like, oh my God, what are people going to think, then you're not writing comedy. You have to write what makes you laugh, and then the world hopefully laughs as well.

I love Veep so I felt like there was a lot I could bring to it.

That is what we have been feinting towards for a year of our lives: pretending like it was going to happen, acting like it was going to happen, and making you think it was going to happen. I like to work from the back forward.

All of a sudden, making a Spanish-American War joke. I think you sort of had to go to probably to an American high school to have remembered that.