I look for two things when I am about to launch into a book. First, there has to be a dramatic arc to the story itself that will carry me, and the reader, from beginning to end. Second, the story has to weave through larger themes that can illuminate the world of the subject.

I look for two things when I am about to launch into a book. First, there has to be a dramatic arc to the story itself that will carry me, and the reader, from beginning to end. Second, the story has to weave through larger themes that can illuminate the world of the subject.

Detroit was an exaggeration of what was going on across the country. You could see the divisions, even within the Civil Rights Movement of that period. At the same time that Martin Luther King was talking about his dream, Malcolm X gave his most famous address in Detroit during that same period, "The Message To The Grass Roots," dismissing the notion of integration.

There was a precarious balance during those crucial months between composition and decomposition - what the world gained and what a great city lost. Even then, some part of Detroit was dying, and that is where the story begins.

I want my books to last, to stand the test of time, and to do that I focus on the forces that shape the subject - the cultural and sociological geography - to capture them in a way that will explain them no matter what they are doing.

Originally, John Kennedy was going to come speak, and then Lyndon Johnson. Because it was October of '62, neither made it because of the Cuban missile crisis.

And then the industry itself was so cocky about what they were doing that they weren't seeing what was coming on the horizon with Japan and Germany and other places that were building smaller cars.