The future rose up ahead of her, a succession of empty days, each more daunting and unknowable than the one before her.

She was reaching the limits of how much its possible to change a man

From an evolutionary point of view, most emotions - fear, desire, anger - serve some practical purpose, but nostalgia is a useless, futile thing because it is a longing for something that is permanently lost . . . .

Occasionally, very occasionally, say at four o’clock in the afternoon on a wet Sunday, she feels panic-stricken and almost breathless with loneliness. Once or twice she has been known to pick up the phone to check that it isn’t broken. Sometimes she thinks how nice it would be to be woken by a call in the night: ‘get in a taxi now’ or ‘I need to see you, we need to talk’. But at the best of times she feels like a character in a Muriel Spark novel – independent, bookish, sharp-minded, secretly romantic.

For some time now she has had the conviction that life is about to change if only because it must. . . .

…surprised all over again at how very comforting very bad food can be.

A screenplay is really an instruction manual, and it can be interpreted in any number of ways. The casting, the choice of location, the costumes and make-up, the actors' reading of a line or emphasis of a word, the choice of lens and the pace of the cutting - these are all part of the translation.