The endings for all my characters seem sufficiently human and messy for me to feel comfortable with them. In some ways they have only moved an inch, but sometimes an inch is a great distance.

The endings for all my characters seem sufficiently human and messy for me to feel comfortable with them. In some ways they have only moved an inch, but sometimes an inch is a great distance.

I suppose what I like about Zen is that the teachers are constantly questioning your insight and challenging it, looking for sloppiness or laziness in it, and ways you can go past that.

I think what makes compelling fiction or cinema is when you're basically taking the most intense moments of experience and you're creating a song or a narrative out of it.

I think that everybody does hustle in order to survive. That doesn't mean lying - it's more about how you handle situations.

What do we have in life, really? If we're lucky we get to a certain age, and we have each other. We have the food we like. We have our crazy little rituals. And we have each other.

I think audiences deserve the benefit of the doubt. I prefer to be surprised by them rather then just assume they'll react negatively to any new idea.