I hadn't made that movie before and when I ever met the real Joy Mangano, which happened because De Niro insisted we meet her and her father, that's what she felt like to us. She impressed us with her quiet, serene authority with herself.

The romance is essential. I love the love. I don't love just people struggling. I love what people are struggling for. That moves me. I love watching people be loving, and I find it enchanting, magical and transporting. It's one of the reasons that I go to the movies, and that's why I like putting it in movies.

The holy trifecta of directing and filmmaking is character emotion, camera movement and music. When you hit those three, that's magical. That's what I'm trying to do.

Sadly, this picture [ Joy] does not go from strength to strength. It sinks into a morass of tedious obstacles to this woman's success. Joy the person may be able to surmount all barriers, but the film with her name on it is not so fortunate.

I think if religion closes discussion or exchange of ideas or curiosity about other views, it's not true to its core.

The investigation of consciousness has come to be regarded suspiciously by most smart people and by most scientists. That's a legacy that began with the Inquisition, which considered non-Christian spiritual inquiry as blasphemous.

If you just work on your craft hard, that's your only hope of doing anything worthwhile.