As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.

I'm always looking for a way to surprise audiences. That's, I feel, my job as a director. I felt that Amy Adams playing a tough woman in 'The Fighter' was a surprise. People saw her as a princess.

I got put on jury duty, which is where I learned how to write.

I make every movie and every scene like it could be my last. That's the only way I know how to make cinema that stands on its feet. I have to treat it like that. It has to be life and death stakes.

You know when you're hungry and excited and you feel humble about it? I like that. In the past, when things were not clear, I think I wasn't ... I didn't have my feet on the ground as much, maybe, 10 years ago. So I just feel like this is a good place to be now, to feel that you want to tell stories from this place and that you're excited to tell stories from this place because you know what you love. I know what I love right now.

A thousand years ago, scientists who wondered about consciousness and the nature of reality were burned at the stake. We still haven't recovered from that and it's left us with a culture that no longer investigates consciousness, except on the fringes.

I think sometimes you have to handle things delicately at work or at home. You know, you can find yourself in situations that are like opening a closet filled with bowling balls that are going to fall out of it, but if you handle things graciously, then that's not going to happen.