As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.

Anything you could ever want or be you already have and are.

That's what takes people out of the fight half the time. They get hit and half the reaction is your ego is saying, 'I cannot believe that person just lit me up - how humiliating.

You know when you're hungry and excited and you feel humble about it? I like that. In the past, when things were not clear, I think I wasn't ... I didn't have my feet on the ground as much, maybe, 10 years ago. So I just feel like this is a good place to be now, to feel that you want to tell stories from this place and that you're excited to tell stories from this place because you know what you love. I know what I love right now.

What do we have in life, really? If we're lucky we get to a certain age, and we have each other. We have the food we like. We have our crazy little rituals. And we have each other.

In order to reinvent yourself, you have to dig deep and look at yourself. I'd lost my way creatively, and I was humbled, and so I think I got really basic about wanting to depict people in the ways that I find them amazing and funny and emotional and that I can relate to and do from an instinctive, gut place. People trying to survive ... That's what all my movies are about.

There's nothing better than having a collaborator that you have a great shorthand with and a great comfort with who's shepherding the project along. I mean, that's the best thing that can happen in cinema where there's many cooks in the kitchen.