I am not a long-run actor. I admire actors who can do that.

Very often, I don't make it through moments of recording because it is genuinely funny and absolutely ridiculous that a 60-year-old grown man is making these noises.

If it's right and true, it's listened to and accommodated.

Every time I hear, Cut. Print, something cold and electrical goes off in my head, because I'm never going to change that film.

We lament the speed of our society and the lack of depth and the nature of disposable information.

People are nice enough, but you can hear the giant tick of the second hand. People are so harried.

When something really extreme happens, you have to find a way to embrace that and include it in how you think about the character. Sometimes it's not easy.