Very often, I don't make it through moments of recording because it is genuinely funny and absolutely ridiculous that a 60-year-old grown man is making these noises.

It's really important to stay engaged and involved in the character.

Kids now are so used to surround sound and the power in theater speakers, that the concert hall is a disappointment to them.

People are nice enough, but you can hear the giant tick of the second hand. People are so harried.

I've played Lear three times, I would love to do it again.

You hear the same work by different orchestras, different conductors, violinists, pianists, singers, and slowly, the work reveals itself and begins to live deeper in you.

High school music teachers... nobody makes a living off it.