The thing that would probably surprise most people was that Dr. Martin Luther King was a very reluctant leader. He felt very shocked at times that he had been chosen for this path, but he also understood that he was chosen for this path. He had several moments of acute doubt as to if he was up for the task - when people were injured in the protests he took it very personally, let alone when they were killed.

One of the occupational hazards of being an actor, the reason why so many actors are insecure, is that the only way we know we're good is when other people tell us.

I truly believe slavery is why, as a by-product, we still have a disproportionate amount of black men incarcerated in America. It is an extension of that legacy, and that's not going to start to diminish until black people have a new sense of themselves that isn't tied to slavery and feeling inferior. I think the church can be instrumental in that, in terms of repentance, reconciliation and just being more embracing of each other - not just on Sunday, but in life generally.

My parents are very hard working people who did everything they could for their children. I have two brothers and they worked dog hard to give us an education and provide us with the most comfortable life possible. My dad provided for his family daily. So, yes, that is definitely in my DNA.

Africa is trying to find its way back to a sense of itself, when much of that was lost through colonization.

One of the things I have an allergic reaction to playing, especially as a black actor, is the mandatory kind of best friend/cop/detective type. You will never see me in that movie.

When you reflect upon the significance of Dr. King to this nation, it's criminal that he hasn't had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you're doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that's humbling... that's deeply moving. You're no longer acting at that stage, you're just reacting, because it takes the filmmaking process to another dimension.