We can't afford to deny our past in a bid to be empowered. But what we can do is contextualize the past.

I gravitate towards anything that feels challenging to me, that feels like it's gonna be saying something a bit different and new to the audience, and anything that moves me. I do movies that I would want to see, so I don't necessarily gravitate towards any genre in particular. I just try and do the best work I can and also try to keep the audience guessing.

I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.

The wonderful situation that I find myself in now, is that choosing the roles I want is more of a reality for me. As a result, I take it very seriously, because I find this opportunity in film to be a very powerful and influential medium.

I think it's vital to have something outside your acting to keep you rooted in the real world, and help you fill the vacuum. If you have nothing else, it can be unhealthy. For me being a Christian has been invaluable: it simply means acting isn't the centre of my life.

I consider myself a human being, a Christian, a father, a husband, so many things, before being a black person.

Considering how pervasive interracial marriage is, certainly in American society, it is rare we get to see it depicted on film.