I would make the tea on a Daniel Day-Lewis set just to observe how he crafts roles like he did in 'My Left Foot.' That was the equivalent of seeing Haley's Comet for me. I just couldn't understand how that was possible.

One of the occupational hazards of being an actor, the reason why so many actors are insecure, is that the only way we know we're good is when other people tell us.

Dr. Martin Luther King was never a man to say 'I've got this' as the leader of the movement. He wasn't always sure that his decisions were correct, because he knew every decision he made was putting lives at risk, including his and his family's lives.

If you merely focus on what we already know, then it's not revelatory. You may as well just go and watch a documentary or a few videos on Youtube, and you're good.

I admire many actors, though I don't think there's anyone whose career I would want to mirror sort of by the beats. What I'm really looking to do is constantly defy expectations. I'm very curious to see if you can actually have a character actor and a movie star's career combined.

I'm very aware of how much movies, literature and art affect culture. They are a reflection of the world around us and they are also a means by which we engage with the world around us.

When you reflect upon the significance of Dr. King to this nation, it's criminal that he hasn't had a feature film that was centered around him until now. That, in and of itself, was emotional. But when you're doing scenes on the Edmund Pettus Bridge, with people still living in Selma and now in their 60s and 70s who had actually marched, who were there that original Bloody Sunday, that's humbling... that's deeply moving. You're no longer acting at that stage, you're just reacting, because it takes the filmmaking process to another dimension.