I'm one of those actors who says, "Point me toward the work that matters to me and I don't care where you're putting it. Television show. Movie. Projected on the back of someone's garage." If that's where the work is that's exciting to me and moving, I want to be there.

There's a nimble quality to the way a television actor can work. When that muscle gets strong it's a very valuable thing.

I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.

As you know, Sunday at 11 o'clock is the most segregated hour in America. You have black churches; you have white churches; you have Hispanic churches. It's not really reflective of the world we live in, by and large, in America.

I feel television is in a fantastically rich vein of what it's presenting both by opportunity to actors and to audiences.

I turned down a lot of easier opportunities in order to go for the things that I really and ultimately wanted to do. And what's really nice is that it's starting to work. I've been an actor for coming up on 14 years now and the level of activity that's taking place now is a culmination of a slow cooker approach to as opposed to a microwave.

You can’t have people curating culture in this way when we need to see things in order to reform from them.