I think it's vital to have something outside your acting to keep you rooted in the real world, and help you fill the vacuum. If you have nothing else, it can be unhealthy. For me being a Christian has been invaluable: it simply means acting isn't the centre of my life.

I think until Britain acknowledges just how much of a presence black people had here before the Sixties, then there are certain stories that are not going to be inclusive of what I have to offer.

You can’t have people curating culture in this way when we need to see things in order to reform from them.

Getting to do what I think was my fifth BBC drama with Nikki Amuka-Bird - we've done 'Shoot The Messenger,' 'Five Days,' 'The No. 1 Ladies' Detective Agency,' 'Born Equal' and now 'Small Island' - was another highlight for me. And filming in Jamaica was great, too.

My parents are very hard working people who did everything they could for their children. I have two brothers and they worked dog hard to give us an education and provide us with the most comfortable life possible. My dad provided for his family daily. So, yes, that is definitely in my DNA.

We can't afford to deny our past in a bid to be empowered. But what we can do is contextualize the past.

I truly believe slavery is why, as a by-product, we still have a disproportionate amount of black men incarcerated in America. It is an extension of that legacy, and that's not going to start to diminish until black people have a new sense of themselves that isn't tied to slavery and feeling inferior. I think the church can be instrumental in that, in terms of repentance, reconciliation and just being more embracing of each other - not just on Sunday, but in life generally.