We made basement practice songs.To have them presented in such a huge fashion today - like at Primavera, where it's thousands of people in a festival environment - is surreal. I never thought some of the songs would ever need to be projected at such a volume or to such a wide span of people.

As far as specific bands from the 90s death metal era, I love Death, Carcass, Possessed, Morbid Angel, Gorguts, Autopsy, Atheist, etc.

As I got older, it turned into hardcore punk. I started getting into more aggressive music.

When we woke up every morning, one of our things was, "Let's go put a new sign in the back window of the van." Those are the different signs we had up in the back of our van, so that the people behind us could have something enjoyable to look at.

You can go to any small town in America, there's going to be a metal fan there. You can't say that about post-rock.

I was young, but to me that was underground music. I had never heard anything like Venom or any of that stuff growing up in Louisville. That was sort of the only weird records I could find. All that stuff would be in the import section. And sometimes there would be some sort of goth type of stuff. But that was the stuff I was attracted to.

People like a story that has a lot of blood, sweat and tears. But I don't think the Slint story really has that.