People like a story that has a lot of blood, sweat and tears. But I don't think the Slint story really has that.

When we woke up every morning, one of our things was, "Let's go put a new sign in the back window of the van." Those are the different signs we had up in the back of our van, so that the people behind us could have something enjoyable to look at.

Louisville was also good place for being able to make whatever kind of music you wanted to. You didn't have to worry about renting a practice space or figure out when another band would be in there or worry about if your stuff is going to get stolen.

I listen to every type of metal under the sun. I'm not very discerning.

I'm still in the Midwest, but I'm in Columbus, Ohio, so I'm three and a half hours away from everybody. That's one of the reasons we're not as active as we'd like to be - it's an expensive chore for me to go down there just to talk or something.

It was pretty common to form bands that only lasted a few years. Slint was my favorite band that I was in at the time, and I didn't realize that I was bummed out about it until quite a while later.

We made basement practice songs.To have them presented in such a huge fashion today - like at Primavera, where it's thousands of people in a festival environment - is surreal. I never thought some of the songs would ever need to be projected at such a volume or to such a wide span of people.