Jazz music by its very nature is just a conglomerate of a lot of different kinds of music.

As a melody instrument player, it's all about getting from one note to the next, and those intervals and how you navigate your way through these vertical structures of chords. You realize that everything's moving forward and it's all linear.

I think that that's the way the music grows and changes and becomes new and creative and vital. It's by synthesizing elements from all around it and not to maintain this kind of rigid myopic kind of tunnel vision, in a sense, trying to maintain a certain kind of purity, or whatever.

When you have an acoustic bass in the ensemble it really changes the dynamic of the record because it kind of forces everybody to play with a greater degree of sensitivity and nuance because it just has a different kind of tone and spectrum than the electric bass.

Instrumental music is increasingly marginalized and there's just no outlet, there's no venue for it, in terms of media.

When I make records, I never listen to stuff after it's done. Ever.

You're only as good as your last record.