If someone doesn't believe enough in your product to put money in to it, then you should rethink how good the product is.

Can I tell you how strange it is to look in your rearview mirror and see guys in cars tailing you?

If I'm going to do something, I really put everything into it and I want it to mean something to me.

I didn't want to be a victim of my own message [in Trust film]. I didn't want to take advantage of a 14-year-old actor. I didn't want there to be any nudity, or any real overt violence. I think it's more terrifying that there is no violence, in that moment. There's control and there's power, but there's no violence.

If someone doesn't believe enough in your product to put money in to it, then you should rethink how good the product is.

A lot of a movie is locations, frankly.

I try to educate myself as much as possible, as I do with the director and the designers and everyone I used to work with. It just helps, I think, with the frame of reference for who you're working with.