And, again, I'm the first one to say that I'm not going be successful at everything.

There are certain pressures and things that change your life to a degree that, in the cost benefit analysis that constantly goes on, sometimes makes you think, 'Maybe I should just leave.

I didn't want to be a victim of my own message [in Trust film]. I didn't want to take advantage of a 14-year-old actor. I didn't want there to be any nudity, or any real overt violence. I think it's more terrifying that there is no violence, in that moment. There's control and there's power, but there's no violence.

If I were given a choice between two films and one was dark and explored depraved, troubled or sick aspects of our culture, I would always opt for that over the next romantic comedy.

When you see Liana [Liberato], who at the time was 14, there is an inexperience and innocence that you can't act and you can't fake.

I'm very goal oriented.

My parents from a very young age raised my sister and I under a pressure to achieve. Theyre both attorneys. So good marks, getting through university, there was a huge emphasis and pressure to do well and keep going.