I would be writing and trying to write like Joan Didion. Or if I was reading Raymond Carver. You know, strong stylists. But that's how you find your voice, is imitating other people. So things like that didn't embarrass me, because I thought, well, that's how it goes. That's how everyone learns.

They're hungry for something they know nothing about, but we, we know all too well that the price of fame is the loss of privacy.

And when Hugh would grow progressively Gandhi on me, I'd remind him that these were pests---disease carriers who feasted upon the dead and then came indoors to dance upon our silverware.

High school taught me a valuable lesson about glasses: Don't wear them. Contacts have always seemed like too much work, so instead I just squint, figuring that if something is more than ten feet away, I'll just deal with it when I get there.

A good [short story] would take me out of myself and then stuff me back in, outsized, now, and uneasy with the fit.

I spent months searching for some secret code before I realized that common sense has nothing to do with it. Hysteria, psychosis, torture, depression: I was told that if something is unpleasant it's probably feminine. This encouraged me, but the theory was blown by such masculine nouns as murder, toothache, and rollerblade. I have no problem learning the words themselves, it's the sexes that trip me up and refuse to stick.

When asked "What do we need to learn this for?" any high-school teacher can confidently answer that, regardless of the subject, the knowledge will come in handy once the student hits middle age and starts working crossword puzzles in order to stave off the terrible loneliness.