The camera is an eye that sees and records the lives of filthy people. Its pictures are hung in museums and published in thick books that future generations can see how horrible life was.

I'm never really that worried about doing something a little different, 'cause it always just seems to fit into what I want to do.

I don't really want to tell jokes about trivia; I'd kind of rather tell jokes about things like life and death.

If the work jells a little bit in terms of being placed in the oeuvre, I don't care - as long as it works.

I think the thing is there's a work for every space, you always have to respond to a context, whether it be a physical context, or a political one, or a cultural one, whatever.

I like making books but I'm not sure exactly what I'm doing. Perhaps I just try to arrange a bunch of seemingly random drawings into something that makes a vague narrative sense. Sometimes it sort of makes sense, sometimes it doesn't.

I like comedy but I guess I don't think [my art] is that funny, either. It's too dark and a bit weird in places to be genuinely, uniformly hilarious and function as comedy.