Film is our literature, so we should tell stories that are apropos of our culture, in that we can learn something about ourselves.

If anyone was talking about journalism in the '50s - it was Edward R.Murrow.

It's either the Amendment or this Confederate peace. You cannot have both.

In order to crash the party and be a clown with your own skit, you had to be there for quite a while.

When you're creating a character out of nothing, you have to make all the guesses as to how they walk, how they talk, how they think. It was all there on the table for us to pick and choose for Murrow.

If it's a role like this one, an actual live person, a legend, there's lots of material laid out.

You work enough with someone and you develop a shorthand. You know how he likes to work through the day and he knows where you're vulnerable and where your weaknesses and strengths are, so it makes for a good team, a team that knows who's over there behind your back.